2018 Evanston Literary Festival Book Fair

March 20, 2018

Attention all Evanston book lovers! We are very pleased to announce that the 2018 Evanston Literary Festival Book Fair will take place right here at EPL, and we couldn’t be more excited. Intended as a showcase for local authors, presses, and literary organizations, the fair will take place on Saturday, May 12 from 2-5 pm in the Community Meeting Room of EPL’s Main Library.

For local authors, presses, or literary organizations who are interested in exhibiting, please submit a 2018 Evanston Literary Festival Book Fair Application by April 20, 2018. Since space is limited, submitting an application does not guarantee a spot at the fair, but all applicants will be considered based on the criteria outlined on the application form.

For Evanston book lovers, please save the date of May 12. The book fair is a great chance to celebrate Evanston’s talented and diverse literary community, and we can’t think of a better way to kick off the 2018 Evanston Literary Festival. See you there!

 

 

 


Author Event: Kristy Woodson Harvey

May 8, 2017

authorKristy Woodson Harvey has been called “the next major voice in Southern fiction” by NY Times bestselling author Erin Hilderbrand, and on Tuesday, May 9 you can find out why when Harvey visits EPL to share her novel Slightly South of Simple. The first book in her new Peachtree Bluff Series, Slightly South of Simple explores the powerful bonds between sisters, mothers, and daughters while offering a heaping helping of “Southern charm, emotional drama, and heart.” Make sure to register to guarantee your seat at this special author event, and in the meantime, don’t miss this video in which Harvey talks about her strong new character Ansley Murphy and Ansley’s daughters Caroline, Sloane, and Emerson. See you Tuesday!

This event is part of the 2017 Evanston Literary Festival.


Author Event: Osama Alomar Reads

May 4, 2017

Syrian author Osama Alomar is a poet, musician, former Chicago cabbie, and a celebrated short story writer, and on Saturday, May 6 at 2 pm he visits EPL to share his acclaimed new book The Teeth of the Comb & Other Stories. Praised by the NY Times, Publisher’s Weekly, and the Chicago Review of Books, Alomar’s stories were described by Lydia Davis as “magical imaginative creations… inspired by his deeply felt philosophical, moral, and political convictions.” Make sure to register to guarantee your seat at this special author event, and in the meantime, don’t miss this great New Yorker essay titled “Osama Alomar’s Very Short Tales.” See you Saturday!

This event is part of the Evanston Literary Festival and made possible in part by Poets & Writers.

 

 

 


Poet Profiles: Anita Olivia Koester

April 14, 2017

April is National Poetry Month, and here at EPL we’re celebrating with a very special poetry event. On Sunday, April 30 at 4 pm we’re excited to welcome poets Anita Olivia Koester and Aozora Brockman as part of the 2017 Evanston Literary Festival.  Both will read from their latest collections, and in anticipation, we recently spoke with Koester via email.  A Chicago poet and editor for the lit journal Duende, Koester is the author of the chapbooks Marco Polo, Apples or Pomegranates (forthcoming), and Arrow Songs which won Paper Nautilus’ Vella Chapbook Contest. She is the recipient of Midwestern Gothic’s Lake Prize, the Jo-Anne Hirshfield Memorial Poetry Award, and the Bread Loaf Returning Contributors Award, and her poetry is published or forthcoming in Vinyl, Tahoma Literary Review, CALYX Journal, Tupelo Quarterly, and elsewhere.  You can learn more by visiting her website, and below she discusses her poetic origins and inspirations, her writing process, and her excellent poem “Confessions of a Childless Woman.”  Enjoy!

Evanston Public Library: Can you tell us a little about your background as a poet? What started you writing poetry? What did you write about when you began, and what do you write about now?

Anita Olivia Koester: I published my first poem in December 2013, and I would say it was my first or second serious poem. Before that I wrote poems here and there, but had always intended to be a novelist and therefore I read novels. I hardly knew how to read a poem back then, nor had I been exposed to much contemporary poetry. That poem was unlike anything that came after it, mostly because it was written as a fictional poem and from a man’s perspective. I haven’t written a poem from a male’s perspective since. My poems, though often mythical and imaginative, are essentially autobiographical. And I suppose in some ways that first poem was as well, as it was about a husband who cheats on his wife and is experiencing an almost paralytic guilt. Sometimes acquiring empathy for the people who have hurt us can begin the healing process.

Though I had known since childhood that my desire was to become a writer, it wasn’t until I divorced that I was able to start out on the journey to finding my own voice. And many of my poems revisit this theme, the odyssey of a woman in search of her voice, the many beasts she must slay along the way both societal and internal. And for me this journey involves a tremendous amount of loss, and even guilt for leaving one life behind for another. When I first started writing, I was writing fiction, and then I began performing poems at open mics when I lived for a time in Paris. Even though I was always nervous to go up on stage, I loved how immediate the emotional connection could be with other like-minded people. If I read a poem about my father people would come up to me afterwards to tell me about their fathers, and there was a palpable feeling of celebration of emotion and language that I had never known in my life. Nor had I ever felt part of a community before, when I was married I lived an isolated life. I suppose I started writing poetry because of poets, because poets are some of the most welcoming, curious, and interesting people I’ve ever met, and in many ways it felt to me like I had discovered a new family.

book coverEPL: Can you give us a window into your writing process? How do you begin, and what are the essential ingredients of a good poem? Has your idea of what poetry is changed since you began writing?

AOK: I feel like my process is always changing, not necessarily developing, but changing. I don’t allow myself to ever say I can only write in one state, and therefore I can allow writing to happen at any time and in any place. I probably write more often than not at home on my computer, but I compose poems on walks to the park, on trains, on planes, in the morning, just as I’m falling asleep, in the shower, while I’m washing dishes. And many times those poems are never put to paper, they just form within me and drift off or perhaps lay in wait (I doubt it though, since I have a terrible memory). But if the piece strikes an emotional cord with me, eventually I will find my way to my phone or computer to write it down, I wish I could say I still wrote on paper, but it’s become a rare occurrence. Not all of these compositions become poems, and even those that do, do not always get sent off to journals. But, they will stay in my files and when I’m feeling stuck I can look to them for lines, words, or images.

Occasionally I write a poem that never has to be revised or reworked, and often times these are my best poems. But even then they’re usually built off the back of lesser poems, I might write five or ten poems on one subject before I finally write the poem that gets it right. And then there are the poems that go through countless drafts, and that is when poetry is like chipping away at a boulder in order to end up with one good quality nugget. Sometimes the poem can seem so small in comparison to the process of arriving at it.

I couldn’t possibly claim that my poems always have the essential ingredients, but when I read poems, I respond to the emotional quality of them first. I always want to be moved by a poem. Beyond that, it varies. I’m personally fond of lyric poetry, poetry that is concerned with the musical elements of a poem – syntax, alliteration, prosody, assonance, slant rhymes, anaphora, repetition, and such. I like to be transported or enraptured by the language itself even at the expense of meaning. For me, the words should dance, or sing, or at the very least sway and hum. I’ll take those poems over poems of wisdom any day. Knowledge can be rather cold. I’d rather read a person’s messy and scattered thoughts that in the end only culminate in experience than be told anything definitive by a poem.

I think my understanding of poetry and poetics has deepened immeasurably since I started writing poetry, and I still have much to learn. It’s one of the things I love about poetry, the continual discovery of just how many ways there are to write something as common and as oft-written as a love poem. It’s hard to appreciate a poem until you’ve read a thousand of them, but once you’ve read a thousand of them, you can’t wait to read a thousand more and go back and read that first thousand again and again. Poems alter depending on the reader and their engagement of it, where they are in their life and what they are feeling, and in that way the life of a poem – as long as it is being read somewhere by someone – is endless.

EPL: What poets have inspired you? What are you reading right now?

AOK: Oh gosh, I’m always reading 10-30 books at a time. I’m an exceptionally slow reader of poetry, and one reason I love chapbooks is that I can sometimes finish them in a sitting or a few days. Otherwise, I can spend months reading a book of beautiful poems. Each poem is often like a long story compressed, and sometimes I’m so emotionally exhausted after engaging with one knock-out poem that I have to put the book down. (I don’t recommend reading this way at all.) In order to force myself out of this way of reading I sometimes sit at the park and just read a book of poems out loud from cover to cover and let it wash over me without allowing myself to overthink or analyze which I can always do later. We had precious few warm days this winter in Chicago, but on the last warm day I went to the park and read Ocean Vuong’s Night Sky with Exit Wounds, which is a remarkable book for both the gentle quality within the strength of his voice and for how diverse it is formally. Another one of my favorite books that came out this year was Joshua Bennett’s The Sobbing School, which I might be reading for years since each poem is so emotionally intense it’s like a kick to the stomach and yet the poems are also complex and intellectual.

Other books currently on my nightstand include, Natalie Diaz’s When My Brother Was an Aztec, Roger Reeve’s King Me, Marianne Boruch’s Eventually One Dreams the Real Thing, Marci Calabretta Cancio-Bello’s Hour of the Ox, and Jennifer S. Cheng’s House A. And then there are those poets that my poetic universe revolves around, and those currently are Sharon Olds, Pablo Neruda, Adrienne Rich, and Larry Levis.

EPL: Can you tell us a bit about the poem you chose to share?

AOK: “Confessions of a Childless Woman” has a rather long history. It began at the first writing residency I ever went to, a magical place tucked away amid the cornfields of Nebraska called Art Farm. Because I had all this time to create and was surrounded by visual artists, I found myself inspired to do a photo shoot with a number of vintage mannequins I found on the property. Some of the torsos were in the trunk of an abandoned Peugeot which smelled rank when I opened the rusted latch to pull them out. It was the kind of place where you might find some odd pile of materials to repurpose, basically a creative person’s ideal setting. And this one mannequin in particular spoke to me because of a crack she had running down her side. That mannequin – and one other with a beautiful though weatherworn face – became the main subjects of a self-portrait series I did in which the mannequins were placed in various roles I’ve lived. I’ve exhibited this series in a few places in Chicago including the public library, and people always remark on how eerily emotional the mannequins seem.

I spent a great deal of time both shooting and editing the series, as well as printing, framing, and exhibiting them, and now since I’m too lazy to find them another home, they decorate my apartment. The crack running down the one mannequin’s rib cage and breast has so occupied my imagination I’m sure I’ve dreamt about it. In some ways it was cathartic to take some of my emotions and place them on these mannequins, and in other ways it left me exposed and vulnerable. It gave a kind of physical shape to my own psychic pain. One of these photos became the cover of my first chapbook, Marco Polo, and other ones have gone on to be published in journals and books, though I never sold one of the prints, I think in part because they can be disturbing, though not to me.

The poem itself explores my deepest personal struggle, one I share with so many women. We are still brought up to think that a woman who doesn’t ever experience pregnancy and childbirth is not a really a woman.  If we cannot have children, we feel shame and perhaps unworthy of love, and if we chose not to have children, or it just never happens along the way, then we feel guilty, like we are perhaps not whole. This places such tremendous pressure on the woman, and so in the poem I pose the question of why can’t the aberration – the deviation from the norm – be beautiful, be celebrated. And what does it mean to be an aberration, how is the word defined? As it turns out the word has such a wide range of definitions – none of them particularly positive – and yet the definitions themselves are beautiful and poetic and have to do with light, images, seeing, and even the movement of celestial bodies.

This poem was published in Tupelo Quarterly along with two of the mannequin photos which I digitally manipulated to engage further with this poem. Visually, the poem mirrors the crack in the mannequin, which creates a duality that further illustrates my own struggle between two possible selves, the one with children, and the one without. The last line becomes a kind of suture – yes, these issues seem to separate women, but they ultimately draw us together on a deeper level. The poem is also about distortion. The first line is deliberately not capitalized in a kind of rebellion against norms. Everyone who looked at this poem – excepted for the editors who published it – was bothered by that, and at times I was too. But that was exactly the point! As a writer I find it important to always be interrogating ideas of normality as well as language, societal structures, rules and laws.  If we are not vigilant, all of them can be used against us.


The Evanston Literary Festival Is Near! Check Out the Authors Today

April 5, 2017

 

Every year our library plays host to some of the fantastic authors participating in the Evanston Literary Festival.  This year is no exception, and we got the inside scoop on some of the authors participating.  With that in mind, I decided to whip up a list of the books by those authors currently available at the library.  Curious about some of these speakers?  Read their books for yourself before the festival begins (running April 29th – May 11th).  You’ll have a leg up on some of our most impressive local authors.  Please note that this list is not the final one and some writers are subject to change.

Books of the 2017 Evanston Literary Festival

New Titles

NEW – The Teeth of the Comb by Osama Alomar

NEW – The Question of Bruno by Aleksandar Hemon

NEW – Best Worst American by Juan Martinez

NEW – 323.1196 Deppe.M – Operation Breadbasket: An Untold Story of Civil Rights in Chicago, 1966-1971 by Martin L. Deepe

NEW – 641.5 Natha.J – King Solomon’s Table: A Culinary Exploration of Jewish Cooking From Around the World by Joan Nathan

NEW – 811.54 Smith.P – Incendiary Art: Poems by Patricia Smith

NEW – 811.6 Brock.A – Memory of a Girl by Aozora Brockman

NEW – 814 Neali.T – The Miles Between Me: Essays by Toni Nealie

NEW – 909.09767 Debel.C – The Islamic Enlightenment: The Struggle Between Faith and Reason: 1798 to Modern Times by Christopher DeBellaigue

NEW – 940.5317 Cahan.R – Un-American: The Incarceration of Japanese Americans During World War II by Richard Cahan

 

Fiction

To Be With Her by Syed Afzal Haider

A Bitter Veil by Libby Hellmann

The Lazarus Project by Aleksandar Hemon

Love and Obstacles by Aleksandar Hemon

The Making of Zombie Wars by Aleksandar Hemon

Nowhere Man by Aleksandar Hemon

Where I Must Go by Angela Jackson

Counternarratives by John Keene

Ode to Brooken Things by Dipika Mukherjee

Dollface by Renee Rosen

What the Lady Wants by Renee Rosen

White Collar Girl by Renee Rosen

Luminarium by Alex Shakar

Savage Girl by Alex Shakar

Little Known Facts by Christine Sneed

Paris, He Said by Christine Sneed

Portraits of a Few of the People I’ve Made Cry by Christine Sneed

The Virginity of Famous Men by Christine Sneed

Identical by Scott Turow

Innocent by Scott Turow

Presumed Innocent by Scott Turow

Lies and Other Acts of Love by Kristy Woodson Harvey

 

Mysteries

Mystery – Easy Innocence by Libby Hellmann

Mystery – An Eye for Murder by Libby Hellmann

Mystery – An Image of Death by Libby Hellmann

Mystery – Jump Cut by Libby Hellmann

Mystery – A Picture of Guilt by Libby Hellmann

Mystery – Set the Night on Fire by Libby Hellmann

Mystery – A Shot to Die For by Libby Hellmann

Mystery Stories Hellm.L – Chicago Blues

 

Biographies

Bio – B Hemon.A Hemon. A – The Book of My Lives by Aleksandar Hemon

 

Nonfiction

204.092 Clore.S – Memoirs of a Spiritual Outsider by Suzanne Clores

300.1 Lacke.J – Learning From Words: Testimony as a Source of Knowledge by Jennifer Lackey

305.23 Kotlo.A – There Are No Children Here by Alex Kotlowitz

305.809773 Barr.M – Friends Disappear: The Battle for Racial Equality in Evanston by Mary Barr

340.073 Turow.S – One L by Scott Turow

347.7322 Cahan.R – A Court That Shaped America by Richard Cahan

629.45 Jones.C – Too Far From Home by Chris Jones

641.595694 Natha.J – The Foods of Israel Today by Joan Nathan

641.5973 Natha.J – The New American Cooking by Joan Nathan

641.5976 Natha.J 1998 – Jewish Cooking in America by Joan Nathan

641.5976 Natha.J – Quiches, Kugels, and Couscous by Joan Nathan

709 Roble.D – Dario Robleto: Survival Does Not Lie in the Heavens by Dario Robleto

720.9773 Cahan.R – Richard Nickel Dangerous Years by Richard Cahan

720.9773 Cahan.R – They All Fall Down by Richard Cahan

747.092 Mille.E Cahan.R – Edgar Miller and the Handmade Home by Richard Cahan

796.357 Cahan.R – The Game That Was by Richard Cahan

796.83 Jones.C – Falling Hard by Chris Jones

818.54 Derri.T – The Black Notebooks by Toi Dericotte

892.7 Alom.O – Fullblood Arabian by Osama Alomar

915.5 Debel.C – In the Rose Garden of the Martyrs by Christopher de Bellaigue

917.731 Algre.N – Chicago, City on the Make, annotated by Bill Savage

917.7311 Kotlo.A – Never a City So Real by Alex Kotlowitz

955.05 Debel.C – The Struggle for Iran by Christopher de Bellaigue

956.6 Debel.C – Rebel Land by Christopher de Bellaigue

973.0496 Johns.C – Africans in America by Charles Johnson

977.311 Cahan.R – Chicago: Rising From the Prairie by Richard Cahan

977.311 Cahan.R – The Lost Panoramas by Richard Cahan

977.411 Kotlo.A – The Other Side of the River by Alex Kotlowitz

 

Poetry

811.54 Derri.T – Captivity by Toi Dericotte

811.54 Derri.T – Tender by Toi Dericotte

811.54 Derri.T – The Undertaker’s Daughter by Toi Dericotte

811.54 Finne.N – Head Off & Split by Nikky Finney

811.54 Finne.N – Rice by Nikky Finney

811.54 Jacks.A – And All These Roads Be Luminous by Angela Jackson

811.54 Jacks.A – Dark Legs and Silk Kisses by Angela Jackson

811.54 Jacks.A – It Seems Like a Mighty Long Time by Angela Jackson

811.54 Jacks.A – Roads, Where There Are No Roads by Angela Jackson

811.54 Lansa.Q – Southside Rain by Quraysh Ali Lansana

811.54 Lansa.Q – They Shall Run by Quraysh Ali Lansana

811.54 Lansa.Q – Walmart Republic by Quraysh Ali Lansana

811.54 Smith.P – Close to Death by Patricia Smith

811.54 Smith.P – Gotta Go, Gotta Flow by Patricia Smith

811.54 Smith.P – Teahouse of the Almighty by Patricia Smith

811.6 Coval.K – L-vis Lives! by Kevin Coval

811.6 Coval.K – Schtick by Kevin Coval

811.6 Coval.K – Slingshots by Kevin Coval

811.6 Franc.V – Forest Primeval Vievee Francis

811.6 Hong.C – Dance Dance Revolution by Cathy Park Hong

811.6 Hong C – Engine Empire by Kevin Coval

811.6 Jones.P – Vessel by Parneshia Jones

811.608 Breakbe – The Breakbeat Poets edited by Keviin Coval and Quraysh Ali Lansana


An Interview with 'The Loss of All Lost Things' author Amina Gautier

June 6, 2016

Amina Gautier
Photo by Jenni Bryant

Amina Gautier writes short stories, and her short story collections win awards.  It’s about that simple.  Back in 2011, for instance, her debut collection At-Risk earned the Flannery O’Connor Award and the First Horizon Award among other honors, and her 2014 follow-up Now We Will Be Happy won the Praire Schooner Book Prize.  This past February Gautier continued the trend with The Loss of All Lost Things – a gripping collection of fifteen stories that explores the unpredictable ways in which characters deal with the loss of their loved ones, careers, reputations, and hometowns.  Not only did her third collection win the Elixir Press Award in Fiction, but Gautier was also included on Newcity’s 2016 Lit 50 list and is set to receive the Chicago Public Library’s 21st Century Award in October.  Back on May 9, Gautier visited EPL to read from The Loss of All Lost Things as part of the 2016 Evanston Literary Festival, but if you missed her that night, have no fear.  You can catch her this Saturday, June 11 at the Printer’s Row Lit Fest, and what’s more, we recently spoke with her via email about her love of the short story form, her creative process, and the challenges of writing intimately about loss.

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Poet Profiles: Dina Elenbogen

May 13, 2016

dinaThe 2nd Annual Evanston Literary Festival might be nearing its conclusion, but rest assured, there is still plenty of book-loving fun to be had this weekend thanks to Northwestern University, Bookends & Beginnings, the Chicago Book Expo, and your very own EPL.  What’s more, here on Off the Shelf we’ll continue featuring interviews with some of the participating authors, poets, and graphic novelists even after the festival wraps.  Next up is poet Dina Elenbogen.  A teacher of creative writing at the University of Chicago Graham School and of Jewish Studies at the University of Illinois Chicago, Elenbogen is the author of the poetry collection Apples of the Earth and the recent memoir Drawn from Water: An American Poet, an Ethiopian Family, an Israeli Story.  She has received fellowships and awards from the Illinois Arts Council, the Ragdale Foundation, the Evanston Arts Council and Hilai Artists Colony in Israel, and her work has appeared in magazines including December, Prairie Schooner, Poet Lore, Tikkun, and Rhino as well as in anthologies such as Lost on the Map of the World, Where We Find Ourselves, and Brute Neighbors.  On Saturday, May 14th at 5:30 pm, Elenbogen will share her work as part of the “5 Poets, 20 Poems” reading at the Unicorn Cafe, and in anticipation, we spoke with her via email about her poetic origins and inspirations, her writing process, and his new poem “Missing.”

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Poet Profiles: Chris Green

May 9, 2016

Chris%20Green%20photoWhat an exciting time to be a booklover in Evanston!  The 2nd Annual Evanston Literary Festival is currently in full swing, and from now until May 14th, you can celebrate Evanston’s vibrant literary community at more than 50 free events produced jointly by the Evanston Public Library, Bookends & Beginnings, Northwestern University, and the Chicago Book Expo 2016.  Here on Off the Shelf we’re joining the fun by featuring interviews with some of the participating authors, poets, and graphic novelists, and first up is poet Chris Green.  A Senior Lecturer in the English Department at DePaul University, Green is the author of three books of poetry: The Sky Over Walgreens, Epiphany School, and most recently Résumé.  His poetry has appeared in such publications as Poetry, The New York Times, New Letters, Verse, and Nimrod, and he’s edited four anthologies including Brute Neighbors: Urban Nature Poetry, Prose & Photography and most recently I Remember: Chicago Veterans of War.  On Saturday, May 14th at 5:30 pm, Green will share his work as part of the “5 Poets, 20 Poems” reading at the Unicorn Cafe, and in anticipation, we spoke with him via email about his poetic origins and inspirations, his writing process, and his new poem “Chicago, September.”

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